3 Reasons Why Rokinon’s Xeen Lenses Could Be Worth The Investment

first_imgMany filmmakers have called Rokinon’s recently announced Xeen lenses overpriced. Here’s why they just might be worth their high price tag.For several years now, shooters have been enjoying Rokinon’s set of reasonably high-quality/low-cost cinema-style primes. I personally own the 24, 35, 50, and 85 and I’ve have had some great results with them across the board. That said, while these lenses certainly offer a more cinema-driven experience than their still lens counterparts, they’re a far cry from more robust and professional cinema lenses.Simply put, de-clicking the aperture ring, and adding focus/iris gears doesn’t make a stills lens a cinema lens; it makes for a modified stills lens that’s adaptable to a filmmaking environment. So for anyone out there that doesn’t quite understand why Rokinon’s Xeen lenses cost about $2500 a pop when they’re likely using the same glass as their much cheaper versions, here’s why:1. Better Build QualityProfessional DPs and Directors understand the value of build quality and are willing to pay for it. If you’re using a lens kit day in and day out, the last thing you want is to have a lens malfunction or break mid-shoot – which is quite common with cheaper glass. In fact, my Rokinon 35mm cine lens has had several issues in the past, including an iris ring that wouldn’t close all the way. The bottom line is that a large-scale production would gladly pay the extra money to buy or rent a better-built lens for greater peace of mind on set, and to potentially save a ton of money over the long run.2. Longer Focus ThrowWhile it’s nice to have the geared focus ring on the original Rokinon Cinema Lenses, the Xeen lenses have a 200 degree throw, which is far longer and more conducive to a film shoot. One of the complaints I’ve had over and over again from 1st ACs that I’ve worked with (using the original Rokinons) was that the focus throw was too short. They weren’t able to pull focus nearly as smoothly as they would have wanted to. The Xeen lenses will definitely help matters in this department and should offer an experience closer to what you might get with a Zeiss Cp.2 or similar.3. Universal Front DiameterUnlike the original Rokinon Cinema Lenses, the Xeens all boast a universal 114mm front diameter. This means that when swapping lenses, your matte box, rig, filters, and other components won’t have to be tweaked. One of the more annoying things about working with mismatched lenses is the added time in between setups (adjusting the rig/filters), so having the ability to work with a universal set like this is a huge bonus for many filmmakers.Other ConsiderationsThe three points above are just the tip of the iceberg. There are so many other great features and benefits to these lenses, including the wide variety of mounts they’re available in (everything from PL down to MFT) and an 11 blade iris, just to name some examples. But ultimately, they’re not for everyone.Many professionals who are willing to spend $2500 per lens are willing to spend the extra money to jump up to a Zeiss Cp.2 or Canon cinema primes. And for other shooters it’ll simply be out of their price range. But I do believe there’s a sweet spot for these lenses and some DPs, producers, directors, and rental houses will benefit from having them in their kits.Here’s a clip from NewsShooter.com that takes a hands-on look at the Xeen line and looks at how they stack up against comparable glass from Sony and Zeiss.What’s your opinion on Rokinon glass? Is the Xeen line something you’re interested in exploring? Let us know in the comments below!last_img read more

Woman thrashed, disrobed in U.P.

first_imgA woman was beaten up, disrobed and made to run naked in her village in the Gopiganj area of the district for resisting eve-teasers, the police said on Sunday. One arrestedThe police have registered a case against four miscreants involved in the incident and arrested one of them, said Circle Officer Yadavendra Yadav on Sunday, adding that they are trying to apprehend the others. “The incident took place in a village in the Gopiganj area on Saturday when a woman from the weavers’ community objected to being teased by one Lal Chandra Yadav. Later, in the evening, Yadav along with his three accomplices forcibly entered her house and badly beat her up.” “They stripped off her clothes and made her run in the village. Some villagers shot the incident and its video subsequently went viral,” he added The Circle Officer said the woman was undergoing treatment at a hospital and a case has been registered against all the four accused.last_img

January 22 2008 We continue our report from 118

first_imgJanuary 22, 2008 We continue our report from 1/18/08 about the tent removal in the amphitheater in the Colly Soleri Music Center. Maintenance crew member David De Gomez removes hardware at each of the spines that fastens the tent to the edges of the amphitheater. We continue our report from 1/18/08 about the tent removal in the amphitheater in the Colly Soleri Music Center. Maintenance crew member David De Gomez removes hardware at each of the spines that fastens the tent to the edges of the amphitheater. [Photo & text: sa] The south edges of the tent are clipped to a strong cable structure. It’s hard to see through the tree branches as the crew detaches the fasteners one by one. [Photo & text: sa] The sides are free and the crew now folds the heavy cloth towards the middle of the seating area. This report continues on 1/23/08. [Photo & text: sa]last_img

Viacom International Media Networks has promoted K

first_imgViacom International Media Networks has promoted Kerry Taylor to senior VP, Youth & Music. The role involves overseeing all branding activity and taking responsibility for all non-music-related content on the international MTV channels.Taylor will report to VIMN CEO Bob Bakish in the new role as well as continuing in her current position as senior VP and general manager of MTV for VIMN UK, reporting to David Lynn, executive VP of all VIMN operations in the UK, Australia, Russia, and Hungary.Taylor will take the lead in deciding how the MTV brand is positioned and presented as well as in developing original programmes and identifying acquisitions.Bakish said: “[Taylor] has led our MTV portfolio in the UK to so many noteworthy accomplishments and I’m confident that, under her leadership, we will continue the successful evolution of the MTV brand and to deliver entertaining and compelling content to MTV viewers around the world.”Taylor first joined VIMN as VP of marketing, creative & consumer press for MTV UK & Ireland in September 2007. Prior to that she was director, marketing & on-air for Living TV, Bravo, Challenge and Trouble at Virgin Media.last_img read more